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Notes on
Submissions:
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The
hardest task for all publishers is that of the rejection letter. It would be
utopia to be able to offer a contract to every one of the talented writers who
submit their work. The need to justify the costs involved in publishing a
manuscript – reading, editing, artwork, proofreading, uploading, publicity,
marketing, review copies et al – means it is essential to recognise both the
worth of an author’s work and the marketability of same.
Ultimately, publishers take the hit in terms of believing in a writer and
waiting out the timespan between releasing a new title and when sales justify
that faith. It is not an inexpensive exercise, whether for an e-book or a tree
book. And the publishers and their families need to eat …
Rebel ePublishers
endeavour to keep in mind all that has gone before a writer submits a
manuscript.
We recognise and respect the courage required to send a stranger one’s
endeavour. We value every author and all they have done to bring their work to
our attention.
Lordy, lordy, we have no desire to sound pompous but Rebel
ePublishers really do try to
honour all the writers who contact us. We do our utmost to say ‘we are not the
right publishers for you’ whilst acknowledging the worth of every submission. It
is very hard to turn down many of the submissions which we are fortunate to
receive.
"Never look down on
anyone unless you are helping them up."
Jesse Jackson.
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August 2011 |
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Welcome...
Beginning an ezine
is almost as challenging as beginning a novel. How to engage readers from the
first line?
Should one employ the technique recommended to writers? Reading the first lines
of favourite novels which hook one without delay can provide a wealth of
information, as can analysing the first paragraph and the first page to identify
what it is that invites the reader to keep turning the pages.
Even more enlightening is to repeat the exercise with books which fail to
capture one’s attention – especially when it has been coined ‘a must read’.
Recognising what doesn’t work can be a real win!
Now to find the ideal first line for an
ezine.
Any suggestions?.
Enjoy your read! |
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On the shelf |
Through the lens | Out & About | Excerpts |
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The Demise of Bookshop
Chains in the UK?
Nigel Farndale, columnist for The
Sunday Telegraph in the UK, has suggested that impatience may be a contributing
factor in the closure of book shops: visiting a book shop takes too much time,
hence readers download instantly to their eReaders (Kindles et al). It seems
publishers anticipate that within three years there will be no bookshop chains
left in Britain. This gives one pause for thought – how might this affect indie
bookstores?
What do you
think? |
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Jobs they
never told you about …
Golly gosh – there are so many
occupations from which to choose, especially for writers. This could be fun:
check them out
here |
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Suspense your
disbelief - MADE
IT IN A MOMENT: IAN BARKER
By jenny
Isn’t it wonderful to read generous articles such as this one?
(No – it is not a typo – the site is called ‘Suspense Your Disbelief’.)
There in the inbox was a message from Rebel ePublishers
accepting my novel. Needless to say that night's party was a pretty good one –
even though I couldn't actually tell anybody until I'd signed a contract. ...
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read more |
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Why Parthenon
Is the Top Google Search Term Today
Benzinga
Perhaps David Cameron should read ‘Stealing the Marbles’ by our very own EJ
Knapp!
He has unconventional views on what precisely constitutes "stealing" those
marbles, however, as he has repeatedly refused to return the relics to the ...
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read more |
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SEX AND
DRUGS – A
Contributary Factor when Stealing Books?
Publishers’ Weekly have identified that Charles Bukowski, William
Burroughs, Jack Kerouac, Paul Auster and Martin Amis are the authors whose work
is most likely to be filched from book stores in America. It has been suggested
that the content of the books by Bukowski, Burroghs and Kerouac – sex and drugs
– are the motivating factors.
Are we to assume that a more literary element help themselves to Auster’s and
Amis’s novels?
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read more |
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Homemade Sin –
V Mark Covington
Don’t miss this novel when it is released.
Check out the author of this forthcoming Rebel
ePublisher’s title >> |
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Ensure your
readers understand what you have written!
The need for punctuation never
changes – the response to this need does. There are those who refuse to accept
that punctuation affects meaning – necessarily this affects communication. What
is the point of writers exerting themselves when they fail to impart the essence
of what they have written?
‘An American Editor’ describes the scenario with clarity -
click here >>
To add to this, there is the classic (but old, old …) joke which describes
this mismatch between intent and delivery:
An English professor wrote the words:
"A woman without her man is nothing"
on the chalkboard and asked his students to punctuate it correctly.
All of the males in the class wrote:
"A woman, without her man, is nothing…"
All the females in the class wrote:
"A woman: without her, man is nothing."
Punctuation is powerful |
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QUOTATIONS:
Quotations, both literary and
musical, have the potential to be a legal minefield. Make sure your quotations
are in the public domain or that you have permission to use them from the author
or publishers.
Otherwise – abandon them and create your own memorable phrase or saying.
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How to Succeed in
Comedy Without Really Trying by
Ian Barker
He was big for his
age. Let’s face it, he was big for any age. Not yet sixteen, six foot seven and
built out of girders. Alan had the impressive stature of a public monument
combined with the easy grace of a bulldozer.
When he’d first turned up, close to the end of summer term, the rest of the
class had fallen silent. Even the back row gang were left slack-jawed. His
blazer sleeves stopped several inches short of his wrists and he needed to duck
his head to avoid the top of the classroom door frame.
I was sitting next to Mike Collins who leaned across and whispered, “I’ll bet
there’s a bolt through his neck.” It was a good line, I sniggered, wishing I’d
thought of it and made a mental note to steal it for later use. Across the room
I noticed Andrea with a hand over her mouth hiding a giggle.
For the whole of the morning we were in awe. As we trailed between lessons some
of the bigger lads – a relative term since Alan’s arrival – ventured a half nod
and a muttered, “Alright?” The rest of us kept quiet.
As the day progressed though it became clear that Alan’s size was in inverse
proportion to his intellectual capacity. He never put his hand up to answer
questions, I wondered if he was worried about damaging the ceiling tiles, and
when pressed by a teacher he mumbled, stuttered and invariably got it wrong.
When we had to read aloud in English, Alan did so with his finger tracing the
line and in a delivery so halting Mr Winnick took to consulting his watch in
between words.
At lunch break Alan leaned against the wall of the science block almost as if he
was keeping it from falling over. The afternoon followed the same pattern as the
morning, Alan folding himself into chairs like some complex hydraulic bridge and
taking little part in proceedings until it came time to reassemble himself to
the vertical and leave.
By the end of the day, with the casual cruelty of a group of teenagers, we’d
nicknamed him Lurch.
At the end of the second week he answered to Lurch more often than he did to
Alan. The back row gang called him “Idiot boy”, but only when he was out of
earshot, and I’d realised he was exactly what I needed. n read more |
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